Archive for October, 2012|Monthly archive page
Filed under: art, Art, Street Art, graffiti, law | Tags: City of Yarra, Collingwood, Fitzroy, graffiti management, Melbourne, social policy
Not much blogging in the last few months – apologies, but I have been working on my (academic) book about street art…
Anyway, I’m back in order to let readers know about the proposed new Graffiti Management Policy in the City of Yarra, in Melbourne. This area includes Fitzroy, Collingwood, and Richmond, home to some of the most interesting street art, and a long time favourite location for many writers and artists to put up work. Graffiti here is part of the municipality’s character – many live in this area (as I do) because it brings vitality and interest to the streets.
Yarra has always had a pretty progressive approach to graffiti management – their last policy took a ‘whole-of-community’ approach, that is, they acknowledged it was important to talk to artists as well as those who ring up asking for graffiti to be removed, and they have sponsored lots of art events and interventions.
However, a new approach is being developed.
On Tuesday this week, I attended a briefing session on the City of Yarra’s proposed new approach to graffiti. They have hired a consulting firm, Capire Consulting, to develop the policy, which is apparently with Council at the moment, although not yet finalised. The briefing session was introduced by a representative from the Dept of Justice Community Crime Prevention dept, who framed the issue of graffiti as one of (il)legality and criminality, and discussed the various ‘graffiti grants’ available from her dept – such grants are in fact for organisations to remove/prevent graffiti. So the whole issue of uncommissioned art was clearly set up as a problem to be eradicated, reduced and controlled, and the proposed policy very much takes that line too.
The key points:
Requests for graffiti removal from private property in the City of Yarra increased from 2500 in 2010-2011 to over 4000 in 2011-12. This figure appears to indicate ratepayer dislike of graffiti. (More significantly, it indicates a significant increase in the graffiti removal expenditure for Yarra.) Is there increased ratepayer dislike of graffiti? Not necessarily – the figures indicate only those who dislike it enough to want it removed; they don’t speak to the proportion of residents/traders who either don’t mind it or actually like it. However, vocal minorities of ‘concerned citizens’ or simply those who ring up council like this are usually the constituents who influence policy-making. (I also think that 4000 requests in a large municipality still isn’t a very large number… )
The Report is called ‘Off the Wall’ which indicates the flavour of the approach taken by the consultants.
The policy: influenced by the Dept of Justice framework for graffiti management which emphasises its criminality (ie they use the Graffiti Prevention Act 2007 definition to frame graffiti as a crime unless done with permit or with consent). The policy recommends an approach equally divided between prevention, removal and enforcement. Any kind of ‘engagement’ with the arts community has been downgraded. ‘Youth programs’ and ‘working with artists’ appear as an aspect of prevention. Both of these would direct artists/writers towards legal murals. Examples were shown in a talk by the DoJ speaker of good mural projects – old-fashioned 80s-style ‘civic’ murals.
So: prevention includes: legal walls, permit systems, youth programs, crime prevention through environmental design, maintaining a database of permitted works so that works without permission can be targeted for removal. Removal: rapid removal policies, prioritised removal policy, kits for residents. Enforcement: ‘partnerships with police’, and the maintenance of a database that could be given to police for ‘enforcement purposes’.
In the ‘guiding principles’ for the report, the consultants listed: criteria to determine ‘good’ and ‘bad’ graffiti . This was explained in the session – ‘bad’ is tagging, works done without permission; ‘good’ is work done with permission.
The policy is claimed to be based on consultation, context, comparison with other municipalities, and academic literature.
But: No evidence that the academic literature had any effect on the policy that is promote (it can’t have, otherwise the policy would be differently worded, recognizing that some form of active and meaningful engagement is essential in order to avoid antagonising the community of people doing graffiti and street art).
Further: little consultation. The consultants spoke to a number of people working for other councils, and to some individuals (including an academic and an artist, who felt that their views weren’t taken into account in the report). No public/community consultation. Surely Yarra should consult before adopting such a policy? [Addendum: I’m told that there are plans for more extensive consultation: let’s hope it happens.]
Further: comparison with other municipalities. This is important in that one graffiti management policy can often have displacement effects into another municipality, so it’s good for Yarra to speak to Darebin and Melbourne and others nearby. However, the consultants also drew on advice from councils such as Stonnington and Knox, where the local community is extremely different from the one in Yarra.
Context: there was no recognition of the specific context that we find in Yarra, where we have streets like Brunswick St or Smith Street, in which graffiti and street art play very significant parts of the aesthetic and economic vitality of the area ie become key parts of an area’s character (there’s research on urban character by Kim Dovey and colleagues in the Faculty of Architecture at the University of Melbourne, looking at Fitzroy and other suburbs, in which graffiti is mentioned by residents as an important part of the area’s character).
Apparently the report is with council, and I imagine there is a small window in which people could make their views know to Yarra (or perhaps with a phonecall/email to any local MPs). Let people know what the policy involves.
It’s important that we indicate to Yarra that people locally and in the arts community generally are left out of such a policy if it is adopted, and that there may be negative consequences for the area’s vitality if it is adopted.